Eye In The Middle

*URGENT* *KLAXON* *URGENT* *KLAXON* [SEE UPDATE BELOW]

*SITE IS TEMPORARILY INACTIVE DUE TO REBUILD*

*CONTENT’S STILL AVAILABLE, IT’S ALL JUST A BIT MESSY – USE THE SEARCH BOX BELOW*

[nb: no idea what the new site’ll be like]

lawang sewu

Snapshot in Time: Lawang Sewu and the Javanese Railway

The history of railways in Central Java has a lavish home at Lawang Sewu.

The museum’s name comes from the Javanese translation for ‘thousand doors’. It refers to the multitude of entrances characterising these Dutch-era colonial buildings. These extend from a pair of domed minaret-like water towers overlooking the Tuga Muda roundabout.

Lawang Sewu, the construction of which began in 1904 and ended in 1918, is a grand, ornate place. It draws attention thanks to its magnificent marble staircase and stained glass windows designed by Johannes Lourens Schouten. Pottery ornaments atop the balcony complete a scene of refined elegance.

lawang sewu

Scattered around the site lies a preponderance of trains, carriages and related paraphernalia. These indicate the site’s former life as the headquarters of the private railway company Nederlandsch-Indische Spoorweg Maatschappij (NISM), which built the first railway line connecting Semarang with Surakarta and Yogyakarta. 

During the Second World War, Lawang Sewu took on a new role as a military base. The Japanese invaders first claimed it before the site’s reclamation by Dutch colonists. These were not easy transitions. The dungeons in the site’s basement, where torture and murder were commonplace, saw far more brutal histories generated.

lawang sewu

And even when Lawang Sewu reverted to the national railway company after the war’s end, the residual energy of the atrocities committed within its confines gave rise to all manner of ghostly encounters and inexplicable presences and tales of disembodied screams echoing around the site.

Such knowledge can ferment in visitors’ minds: given the supernatural lore attached to the museum and the numerous doors ensconced within, one must wonder where these entrances lead and what may choose to come through them.


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